those things that own you
erica lewis <text>
mark stephen finein <images>

 

 

 

 

 

 

 

 

 

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the friction source and then away again


there are two things going on here and there is a device to help you make the connection the leap from where you are right now from the right side to the left for example a connecting door
we always speak into a void where we never know if anyone is listening 

 

the naming helps to write into the landscape itself to dampen vibrations between interior panels and also to stop the ingress of dirt into some small ball or cup or joint of eccentricity
it requires so much proximity that it almost defeats the purpose

 

and how they belong together
the lines concerning time or occurrence

but this was once about birds
of dirt clods forming and implosions
energy used to power the fracture

 

to represent converging paths every line means something

 

what you forget is up to you